DC Interactive
Cinematic motion. Immersive visuals. Technical craft.
I work with creative studios, production companies, agencies and brands looking for visually distinctive motion and immersive content. Whether joining an existing production pipeline or developing visuals from the ground up, I bring a balance of design sensitivity, technical problem-solving and collaborative thinking to every project.
Studio
Multidisciplinary motion, 3D and immersive design
I’m David Curtis - a multidisciplinary motion designer and CG artist creating cinematic visual experiences across immersive installations, advertising, broadcast and digital media. Working at the intersection of design, animation and emerging technology, I specialise in crafting visually rich worlds that balance technical precision with emotional storytelling.
With experience spanning large-scale projection environments, realtime workflows, motion graphics, particle simulation and procedural design, I collaborate with studios, agencies and production teams to bring ambitious ideas to life, from immersive exhibitions and experiential content to commercial campaigns and branded films.
SKILLS
Motion Design
3D animation
Immersive design
Offline / realtime rendering
Particle / fluid simulation
Storyboarding
Interactive design
Website design
AI workflows
Sound Design
TOOLS
After Effects
Unreal Engine
3DS Max
TyFlow
Notch
Corona / Vray / Redshift
Ableton Live
Framer
Embergen
Adobe CS Suite
APPROACH
Building content through story & technology
My background combines traditional motion design principles with technical experimentation, allowing me to move fluidly between design-led work and highly procedural systems. Whether collaborating with creative studios or working independently, I aim to create visuals that are both aesthetically striking and technically sophisticated.
EXPERIENCE
Backed by 25+ years experience in the design industry
Recent work includes contributions to immersive productions exploring space exploration, music culture and prehistoric worlds , including projects inspired by the Apollo missions, David Bowie and The Battles of Admiral Nelson for Epic History TV. These projects involved designing and animating large-scale visual sequences for projection-based environments viewed by audiences at architectural scale.
Alongside immersive work, I’ve created simulation-driven visuals and motion systems for commercial campaigns, including fluid-based particle animation and abstract CG content for finance and technology brands.
